The Studio

Film is Dead Studio is more than a name—it is a philosophy, a statement on the evolving nature of photography, and a commitment to the medium in its purest form. The name carries an intentional irony, nodding to the widespread belief that film is obsolete while honoring the artists who continue to embrace it. In an era of digital immediacy, film remains a deliberate act of patience, craftsmanship, and trust in the unseen. In an era dominated by digital convenience, film remains an act of resistance, a deliberate and immersive process that demands patience, intention, and trust in the unseen. The studio is an embodiment of this philosophy, structured around five essential elements: The Press, The Darkroom, The Print, The Story, and The Artist. Each of these elements reflects a dedication to storytelling, craftsmanship, and the integrity of the photographic process.

  • The darkroom is a place of transformation—where light, time, and chemistry converge to bring an image to life. It is a ritualistic space, one that demands patience, intuition, and a deep understanding of the medium. Every print created within Film is Dead Studio is the result of this intimate process, ensuring that each limited-edition artist-made print or book carries not just an image, but an experience. In a world of instant gratification, the darkroom serves as a reminder that true craftsmanship is slow, deliberate, and deeply personal.

  • Photography is a language of its own, where sequencing and silence shape narratives beyond words. Film is Dead Studio specializes in the creation of digitally published and handcrafted photobooks—limited edition works that preserve timeless moments through meticulous curation and design. These books and zines are more than objects; they are lasting testaments to the power of the still image.

  • A photograph is not complete until it exists in physical form. The Print is a responsibility—an expression of a moment’s permanence. It is through fine materials and archival processes that an image transcends ephemerality and becomes something lasting. Film is Dead Studio produces both hand-crafted darkroom prints and digital fine art prints, each meticulously made to uphold the integrity of the photograph. Whether born from silver halides or pigment ink, every print is crafted to bring value not only to the artist but to the collector who understands the weight of a well-made image.

  • At the core of Film is Dead Studio is the art of documentary photojournalism. To tell a story through still images is to embrace reality without interference, to reveal what simply is. Whether through long-term personal projects, commissioned work, or the documentation of people, events, and movements, storytelling is a collaboration—an exchange between artist and subject. Every frame holds a truth, a presence, a history waiting to be seen.

  • Christian Marcum is the artist behind Film is Dead Studio. A documentary photographer based in Arizona, he is dedicated to long-term projects, photo essays, commissions, and collaborative works. His practice extends beyond the act of photographing—he is also a bookmaker, darkroom printer, and creative consultant. Exclusively working with black and white 35mm film, he embraces the medium’s limitations as a means of deepening his connection to the image. With published works, awards, and exhibitions to his name, his approach remains one of humility and deep respect for the craft. Photography, for him, is not about capturing what is expected—it is about witnessing and preserving what is real.

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NPPA

"A camera holds the power to shape a narrative, yet the true art of photography lies in restraint. The photographer's duty is not to impose, but to witness—to capture reality as it unfolds, untainted by judgment or illusion. The purpose is not to define what is right or wrong, but to reveal what simply is."

- Christian Marcum